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Whats the Best Prop I Can Buy?

What’s best trick? is completely subjective. It’s like asking “What’s the best car to own?” or “Who’s the best band?” T
he effect you create with (or without) a prop becomes the effect you create in the minds of the audience – so – the “Best Effect” may have nothing to do with a particular version… it’s the performance that counts. It’s the impression you create.

I’ve seen magicians kill with a simple effect like Mental Manipulation and bomb with highly technical effect.

I’m not putting-down anyone with technical skills. I’ve worked my entire life to present sophisticated slights throughout diverse routines. Performing the “best” effect may have nothing to do with the prop alone… It might have everything to do with your ability to entertain. When you ask “What’s the best?” all you get are opinions. Opinions don’t perfect your ability to entertain, your knowledge does. I’d rather see magicians think about it this way “I like this effect, can you give me some tips for me to make it better considering my style and the venue it’s in?

“Opinions don’t perfect your ability to entertain, your knowledge does.”

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What’s the Best Trick?

What’s best trick? is completely subjective. It’s like asking “What’s the best car to own?” or “Who’s the best band?” T
he effect you create with (or without) a prop becomes the effect you create in the minds of the audience – so – the “Best Effect” may have nothing to do with a particular version… it’s the performance that counts. It’s the impression you create.

I’ve seen magicians kill with a simple effect like Mental Manipulation and bomb with highly technical effect.

I’m not putting-down anyone with technical skills. I’ve worked my entire life to present sophisticated slights throughout diverse routines. Performing the “best” effect may have nothing to do with the prop alone… It might have everything to do with your ability to entertain. When you ask “What’s the best?” all you get are opinions. Opinions don’t perfect your ability to entertain, your knowledge does. I’d rather see magicians think about it this way “I like this effect, can you give me some tips for me to make it better considering my style and the venue it’s in?

“Opinions don’t perfect your ability to entertain, your knowledge does.”

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Tricks We’ve Paid to Own

This is a partial list of what Jay Leslie has paid for the right to produce or has invented. Everything from House of Enchantment including but not limited to the following:

  1. 4 Balls & Net Book
  2. 7th Wonder Card Box (Swoger)
  3. Acrobatic Thimbles (Jack Flosso) LINK
  4. Al Levito (Al O’Hagen)
  5. Animal Fair (Riedel) LINK
  6. Amazo (Will De Seive)
  7. Any Card Called For Napkin (U.F.Grant)
  8. Apple Trick (Schlenenger)
  9. Assistants Revenge, Jay Leslie Model
  10. Astro Question Chart (Wm S Koske)
  11. Atomic Vision (U.F.Grant)
  12. Austrailian torture crib escape, book (Pilhinha) Link
  13. Baffler (Ed Massey)
  14. Ball Box (Die box, U.F.Grant)
  15. Blok Cord (A. Allen)
  16. Box Of Bagdad (Riedel)
  17. Brain Wash (Jack Dean to Ed Mellon)
  18. Brillant Ring Box (U.F.Grant)
  19. Cabinet Of Deodar (Ed Massey)
  20. Card Assyst (Ed Mellon)
  21. Card Dagger (Ed Massey)
  22. Card In Glass (Ed Massey)
  23. Cards Of Silver (Ed Mellon) LINK
  24. Century Silk Frame (Ed Massey)
  25. Cig Gil (John Snyder to Haines) LINK
  26. Clipboard For Mentalism (Nelson)
  27. Coincimental (Thorton to Ed Mellon)
  28. Corker (Ed Massey)
  29. Chinese Surprise Production Tube (Riedel)
  30. Coin Through Coin (Jay Leslie)
  31. Color Off (Mark Jacobs)
  32. Cut And Restored String (Shleneger)
  33. Digitelephathy (Swoger)
  34. Disk Of Demascus LINK
  35. Death Trap (Jay Leslie)
  36. Devils Dagger (card dagger , Ed Massey) LINK
  37. Double E.S.P. (Jay Leslie)
  38. Easy Sensory Perception (Jay Leslie)
  39. Eerie Rabbit LINK
  40. Elastic Lady, Jay leslie Model
  41. Elder Blindfold (Dave Elder)
  42. Enchanted Card Slide (N. Andounain)
  43. Enchanted Confections (Swoger) LINK
  44. Enchanted Cottage (Gen Grant)
  45. Enchanted Mirror Penetration (Haines)
  46. Errie Rabbit (Melbourn Christopher)
  47. Easy E.S.P (Jay Leslie)
  48. Eye Spy (J.G. Thompson to Ed Mellon)
  49. Fantastic Poker Hand (Ed Mellon)
  50. Floating Power (Snyder to Haines)
  51. Gizmo Box (MAK)
  52. Gammatration (R.W. Hull to Mark Jacobs)
  53. Ghost Coins (
  54. Golden Disk Of Amun Re (Riedel)
  55. Grant’s Lightning Card Stand LINK
  56. Harvey And the Soldier (Harry Stanley)
  57. Himbers Invisable (Richard Himber)
  58. How to escape from handcuffs, book (De-val) Link
  59. Indestructable Ribbon (Ed Massey) LINK
  60. Instra Mental (Ed Mellon)
  61. Impossible Card Flight (Chuck Smith)
  62. Impromtulism (Ed Mellon)
  63. Improved Sucker Blocks And Tube (Riedel)
  64. Keni Key (Leslie Swoger)
  65. Keys Of Judah (O’Hagen to Ed Mellon)
  66. Lock pickimg: part one, book (de-Val) Link
  67. Lock pickimg: part two, book (de-Val) Link
  68. Ma Jong Box (Sherms)
  69. Mandarin Box (Riedel)
  70. Man In The Moon (Harry Stanley)
  71. Mar Mix (Mark Jacobs) LINK
  72. Melting Through Metal (Jay Leslie)
  73. Mental Eyes (Harry K Frankie)
  74. Mental Slate (Swoger)
  75. Ment A Flex (Grant)
  76. Ment O Flex (Ed Mellon)
  77. Miracle Money (Mellon Swoger Leslie)
  78. Mental Case (Ed Mellon)
  79. Mentalism By Design (J.G. Thompsom to Ed Mellon)
  80. Modern handcuff secrets for magicians, book (Norman) Link
  81. Moonlight Madness (J.G. Thompson to Ed Mellon)
  82. Mongolian Water Mystery (Mengie)
  83. M T Pad (Chuck Smith)
  84. New Quik Color Change (Leo Demskie)
  85. How to make your own tricj handcuffs, book (Novak) Link
  86. Out Of The 5th Dimension (Ed Mellon)
  87. Orchids To You (Reidel)
  88. Pagoda Trick (Cucko Clock) (Riedel)
  89. Phantini’s Numeracle (Gene Grant to Ed Mellon)
  90. Phantom Plastic (Riedel)
  91. Photo Plastic (Chuck Smith)
  92. Plak O (Mark Jacobs)
  93. Pseudo Memory (Ed Mellon)
  94. Puffy Coin (Jay Leslie)
  95. Push Down Dove Vanish (Riedel)
  96. Quantimental (Ed Mellon Jim Swoger)
  97. Rabbit Garage (Riedel)
  98. Rameses Ribbon (Riedel)
  99. Real secrets and methods of the challenge rope escape, book (Jacobs) Link
  100. (Regow’s Tall Drink LINK
  101. Reidel’s Improved Square Circle
  102. Rib Blok (Mark Jacobs) LINK
  103. Ribbon Fantastique (Ed Massey)
  104. Rice Box To Lantern (Riedel)
  105. Ring Off (Jacobs) LINK
  106. Sammy The Seal (Riedel)
  107. Sans Peer Book Test (Woodward, Mellon)
  108. Screwy (R.W. Hull)
  109. Skeleton In The Closet (Jim Swoger)
  110. Sliding Glue (Swoger)
  111. Son Of A Switch (Ed Mellon)
  112. Spectra Mental (Ed Mellon)
  113. Sphinx Production Box (Riedel)
  114. Square Circle Circus (Jay Leslie)
  115. Stage Size Chineese Gong (Riedel)
  116. Stop Light (Harry Stanley)
  117. Story locks, book, (Terry Roses) Link
  118. Synonymental (Ed Mellon)
  119. Tall Dring (Swoger) LINK
  120. Tapit (Heath)
  121. Telastrophy (Ed Mellon)
  122. Tele Message (A. Allen, Stuart Judah)
  123. Telephonic (Grant, Mellon)
  124. Tele Pix (Sid Bergson to Ed Mellon)
  125. Temple Of Wang (Riedel)
  126. Ten To One (John Snyder)
  127. That’s the Spirit (Stuart Judah to Ed Mellon)
  128. The handcuff king act, book (Hull) Link
  129. Topsy Turvy Drink (Swoger)
  130. Trick With No Name (Jay Leslie)
  131. Tri Thought (Ed Mellon)
  132. Tricky Bottles (Swoger)
  133. Trifecta (Jay Leslie)
  134. Twin Forcast (J.G.Thompson to Ed Mellon)
  135. Twirl Around Box (Riedel)
  136. Unicorn Box (Reidel)
  137. Ultimate Ring And String (Jay Leslie)
  138. Util I Prop (Herb Ort)
  139. Wand A Blok (Mark Jacobs)
  140. What Lee Jacobs din’t tell you about the rope escape, book (Novak) Link
  141. Wonder Coin Box (Leslie, Swoger)
  142. Wonder Soldier (Mark Jacobs, Jim Swoger)
  143. Words Of Jaks (Dr. Jaks to Ed Mellon)
  144. Wun Fang and His Golden Coin (Harry Stanley) LINK

Please consider buying from the manufacturer that developed a particular item. Legitimate manufacturers take the time to invent or design new magic and without your support they will not stay in business.

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The History of Plastic in Making Magic Tricks (We are #1)

When Jim Swoger, founder of The House Of Enchantment, was released from military service in 1945 he made friends with a man who worked for Rohm Haas, the Plexiglas people. Rohm Hass invented and manufactured plastic materials of different compositions and colors. Jim took a personal tour. It was a pretty big deal because he didn’t drive and they sent a chauffeured car from New Jersey to Pittsburgh and took him back. Jim brought samples home (which I still have a few of) and made the first plastic trick, a flip over box (in the photo). The next project was a
crystal box that made spring flowers appear, then he was off and running. Jim, being the first manufacturer of plastic magic, was called ” The Plastic King”. The banner to the right was made in 1948. Notice the phrase “Home Of Plastic Magic”.

Three sided Production Dice were made in 1947-48. The original dice had black spots. They were made by drilling holes completely through the white plastic. Then using a Plug Drill, dots were made from black plastic and bonding into the dice. Sparkly dots came later, which were punched out and glued to the surface.
Other items: The Massey Card Dagger was made from wood and metal andthe blade was plastic. According to Jim, Ed Massey didn’t want to spend anextra 50 cents to make the blade from metal.

Swoger experimented with different techniques in manufacturing. Genii Tubes were made, in two sizes using his oven at home. Jim laid the black and the white acrylic over two different size forms and the heat of his home oven allowed the plastic to form the shapes shown in that photo. They were then assembled into the Genii Tubes. ABC Block Tricks (without the letters) were made around 1947-48.

The Vampire Block was made until the 70s. Jim glued black plastic to red before cutting the parts for assembly. (Notice how the inside of the tube is black.)

Made in the late 40s, The Card Between Plates (T.V. card frame) is perhaps the nicest example of Jim’s work. Here you can see the emergence of the “Layered Look” the House of Enchantment is known for. The advantages to this type of construction is that the audience can see props from a distance better and the layers give these props a distinguished appearance. Below is an example of wood and plastic aterials used to make our Rib Blocks. As you can see, The house Of Enchantment is a pioneer in designing and making magic.

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Paint vs Natural Wood

Can anyone explain why magicians believe stained wood products have more value than painted? Some believe that painting something reduces the value. In reality the process of painting is much more time consuming. Granted, nice pieces should be shown off when there is exceptional craftsmanship. If the project has dovetails, inlays or uses exotic woods you wouldn’t want to hide the craftsmanship. Exceptions include stage shows where the performer needs colorful or bright props. The inside, of a prop, may be in contrast to the outside to either accentuate the properties of the effect or for technical reasons. The other reason paint might be applied over dovetails is because the functionality of the construction demands strong joints without extra material used inside or out. In this case the dovetails or finger joints serve a function and are not necessary to the performance of the effect. Consider this: The focus of a stage illusion is what action and storyline take place. Perhaps in the movies, and epic film must rely on the scenery to tell the story. To a certain degree this holds true for the magician. In the end however, the magician must be the focal point of the performance. So while it holds true that the magician needs his equipment to make the illusion it is also true that the equipment is secondary to the performance. What does this have to do with paint? Magicians need to make the best impression on every effect. Whether close up or on the stage.
Is it safe to say all close up tricks should be stained wood? Dark stain and paint are often used to hide bad wood or wood that doesn’t match.

Certain styles of Die boxes and the dice require construction where natural woods are not an option. So the next time you see a Die Box or other effect that is painted just ask yourself if it looks good. Paint is not the enemy.

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Pictures vs Line Drawings

My personal opinion is that drawings should be used for technicle manuels and not magic advertisments. They are appropriate for inexpensive items but not good quality magic. When I see most drawings I don’t know what I am buying, quality wise I would never buy a briefcase from a store just by a drawing alone. Imagine, You enter the office supply store, go to the isle that has calendars and briefcases, look at drawings of briefcases, pick one out, go to the register and pay for it then it’s sent in the mail. Would you buy a pair of shoes through the mail using a drawing? Sounds silly but every day magicians buy expensive items from dealers based on drawings. We don’t believe in drawings for items over $20.00 or for something other then playing cards or a common item where it’s expected that you know the quality.